![]() Compatibility and Integration: A Perfect MatchĪescripts Deep Glow seamlessly integrates into your After Effects workflow. The plugin is optimized to work seamlessly with After Effects, allowing you to see the magic unfold in real time without the frustration of extended waiting periods. It understands this and ensures its intricate effects don't translate to sluggish rendering times. In the fast-paced world of design, efficiency is key. Time-Efficient Rendering: Quick and Seamless Whether you're aiming for a mystical aura or a futuristic gleam, the plugin puts you in the driver's seat. Adjust the glow intensity, spread, colors, and blending modes to achieve your desired look. Its intuitive interface allows you to customize the glow settings to suit your creative vision. ![]() Simple Yet Powerful Controls: Enhancing Creativityĭon't be fooled by the plugin's sophistication it is remarkably user-friendly. The glows it produces are not just generic overlays they interact authentically with the surrounding elements, casting subtle shadows and creating a genuine sense of depth. This software makes this possible with its advanced algorithms that simulate the natural behavior of light. Imagine your text, logos, or other design elements emitting a soft and enchanting glow that radiates from within. Features of Aescripts Deep Glow for After Effects Unveiling the Brilliance: Creating Realistic Glows Whether you're working on a cinematic title sequence, an eye-catching logo animation, or a mesmerizing motion graphic, this plugin can elevate your creations to a new level. It is a game-changing plugin that brings a new level of depth and dimension to your After Effects projects. If it looks good, you’re all done! Below are the settings I used for my Shatter effect.Free download Aescripts Deep Glow for After Effects for Windows PC. You also need to key your Radius from 0 to 4 so that your layer actually shatters. Open up the Shatter controls in your timeline under the “G” layer and key both of your Forces’ positions to follow the path of the train. Change your Forces (1 and 2) to have 0.00 set for both their Depth and Radius. My personal preference is to change your View to Rendered, so that you can see the finished product. Also change the Origin under Shape to mark where you would like the shatter to occur. After Effects’ Shatter is a very versatile tool - we’ll only be scraping the surface here, so you should definitely play around with it further later on.Ĭhange your Shape Pattern to Glass and your Extrusion Depth to 0.00. The settings used here are below.Īdd a mask to your text layers and animate them rising out of the ground plane.Ĭhange the position of your “G” layer so that it hops all the way to the edge. Then go into each text layer’s Material Options and turn on Cast Shadows.Īdjust your lighting to make your shadows and text appear the way you want them to. Make sure you Alt-Click this selection so that it says Accept Shadows: Only. You’ll see a selector that says Accept Shadows. Go to your Solid and open Material Options, which is located under the layer options. Don’t be alarmed the next step reveals all. Go to Layer > New > Light and make sure that the Cast Shadows check box is selected. Now we’ll add a light, so that we can begin creating our shadows. Align the bottoms of your text layers to your new Solid plane so that they’re on the “ground.” The next - very important - step, is to change your camera view from Active Camera to Right. This will be your plane for the shadows, sometimes called a “shadow catcher”. ![]() Make your new Solid a 3D layer and rotate and place it within the composition so it fits the perspective of the clip. ![]() Go to Layer > New > Solid and create a new white (#ffffff) Solid. ![]() Since the footage file will not be a 3D layer, we need a plane for the shadows to project onto. I also parented the “AP” to the “G” with the “Parenting” Piq Whip, so that I can animate the whole word consistently. Rotate your layers so that they fit with the perspective of the scene.įor this scene, we know that the letter “G” gets shattered in the end, so we’ll want to keep that as a separate layer. Start adding your text, making it into 3D layers by checking the “3D” box on each text layer. To create the final clip in this tutorial, I used New York City Subway Train Arriving by Shutterstock contributor Duncan Frazier: Go to File > Import > File and input your footage of choice. As with our previous video tutorials, all of the tools and effects used here come standard with After Effects. We’ll also touch on another powerful effect called Shatter. Have you ever wanted to put text into your video and make it look like it really lives in the scene? No, this isn’t another 3D Camera Tracking Tutorial - this time, you’ll learn how to add shadows to your text, making it appear as if it’s really in the shot. ![]()
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